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hollister68.webnode.fr.http://abercrombi...r2.webnode.fr/.Tired of playing the same old game? Browse, search and play the latest mods created by indie modification development teams at Mod DB..Listen to mod radio. Free mod mp3 downloads available. Top mod artists: The Jam, Small Faces, The Who, The Kinks, Paul Weller, The Action, The Creation, ....todssoldes7.webnode.fr.was the first company to dance the full "Nutcracker" in North America, in 1944. But it was and the that turned the then-relatively unknown Tchaikovsky score into a holiday tradition - and the ballet world's bread and butter - in the 1950s. Now San Francisco Ballet is about to reclaim the "Nutcracker" mantle in a big way with the nationwide PBS "Great Performances" broadcast of Artistic Director 's "Nutcracker" - set in 1915 San Francisco - on Dec. 17.
With its softly fog-shrouded sets and sumptuous Edwardian-era costumes, the Ballet's "Nutcracker"- also soon available on a DVD from Opus Arte/Naxos - looks tailor-made for its close-up. But Tomasson wasn't thinking about television when he conceived his widely acclaimed $3.5 million production, which premiered in 2004.
"After the fact, so many people said, what a beautiful production, and it takes place in San Francisco," said Tomasson, who devised a scenario in which the teenage Clara dreams about the fantastical sights she's just seen at the city's World's Fair. "That got the ball rolling."
Tomasson's "Nutcracker" was filmed over three performances last December, with eight cameras capturing every angle of glamorous Yuan Yuan Tan as the and technically virtuosic Vanessa Zahorian as the Sugar Plum Fairy. Emmy-winning director , who also directed the Ballet's 2003 recording of "Othello," said filming the gorgeous Act 2 divertissements of waltzing flowers, French cancan girls and a wild Chinese dragon was the easy part - it was editing the story-packed Act 1 that posed a challenge.
"The most difficult part was the battle between the mice and the soldiers, by far," Diamond said from Los Angeles. "Helgi has created so much dramatic richness in that scene. It's hard to get to everything, because he's done such a complex job."
But television allowed Diamond to highlight ingenious details an audience might miss in the vast , zooming in on set pieces and objects, such as the dancing bear and Clara's glittering doll cabinet, that turn up in Clara's Act 2 dream world. As for the scenery and sparkling tutus, by Tony winners and , "when you have that much for the eyes to bask in, it makes the director's job a whole lot easier," Diamond said. "The amount of opulence onstage is just amazing."
Tomasson had final word on all choices of the dance performance footage: "If he liked the pirouettes on Thursday night instead of Sunday, that's what we used," Diamond said. Still, having three tries at perfection didn't alleviate the extra pressure on 24-year-old principal , who found herself cast in the climactic Grand Pas de Deux opposite hunky, buoyant as one of her first assignments with a brand-new company.
"It was a new stage, a new audience, a new ballet to me," said Kochetkova, who trained at Russia's and joined the San Francisco Ballet from the . "I found out I was cast for this two weeks before. In that pas de deux, you have to walk right into the spotlight, you have to dance right away."
Taking a break after the daily company class, the doll-faced Kochetkova was critical of her sparkling performance after seeing the video a few days earlier. "The film is really beautiful, though of course for myself I see things I would do better," she said. Still, she was full of praise for the choreography - "It's really big, and I like big movements" - and gratitude to Tomasson: "He really believes in me and believes I can do it better onstage than in the studio," she said. "I felt before him I hadn't realized the things I can actually do."
Meanwhile,Ballet production of on PBS, , only 15 when she filmed her lead role as the young Clara, hadn't seen the film yet but didn't sound too worried. "Up onstage it was so magical, I wasn't even thinking about being on camera," said Powell, an advanced student at the San Francisco Ballet School. "It was just like a normal performance."
Her face - gasping in delight when she receives the Nutcracker, fearful when the mice attack, relieved and then starry-eyed when her Nutcracker doll becomes a flesh-and-blood prince - has now been immortalized in close-ups. But of the principal dancers who sweated the camera time, and the younger ones who waltzed through it,Ballet production of on PBS, Tomasson is equally proud.
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